For more years than I wish to remember, I have tuned in to the Sunday omnibus edition of The Archers. I don’t actually listen to it, you understand; it’s just that my 1970s transistor (which I am reluctant to get rid of, because it works perfectly well and would only contribute to the acres of landfill) is permanently tuned to Radio 4. I can’t receive any other station without an immense amount of twiddling.
So every Sunday morning, my decadently late bath is to the background accompaniment of the latest goings-on in Ambridge.
The problem is that I simply can’t concentrate long enough to follow the plot in The Archers; my mind keeps drifting off to other issues. It doesn’t really matter, because The Archers is always the same. For example, much of today’s programme was taken up with rehearsals for the village Christmas panto, under the draconian direction of Linda Snell. In Ambridge, it always seems to be Christmas and Linda appears to be in a constant state of despair at the ineptitude of Joe, Bert, Eddie and the rest of the yokels who threaten to wreck her big production number.
And it’s that sameness that is the key to the successful longevity of The Archers. Nothing really ever changes in Ambridge. No matter how hard it tries to be innovative, relevant and cutting edge, dealing with divorces, unmarried pregnancies and civil partnerships, The Archers remains a cameo of an England that vanished long before most of us were born, if ever it existed.
And the truth is that it’s not the Archers who are the stars of The Archers. It’s Eddie, Joe and Clarrie Grundy, Bert Fry and, in its early years, the wonderful and incomparable Walter Gabriel.
These country characters, at once simple and devious, infuriating and lovable, are the latest manifestations of a long English literary tradition. They hark back to the mechanicals of A Midsummer Night’s Dream; they could just as easily be members of Hardy’s Mellstock Quire or residents of Hiram’s Hospital. Not for nothing is the series set in the countryside around the fictional county town of Borchester, with its echoes of Trollope’s Barchester. Christmas in Ambridge is the nearest we in the twenty-first century get to Christmas in Dingley Dell.
The Archers taps into an essential and eternal Englishness, or rather an idea of England, that even a Welshman can appreciate; and that is the secret of its success. And that is why it will probably continue to be a staple feature of BBC output for many years after my ancient Grundig has finally given up the ghost and my Sunday bathtime is accompanied by the tones of Classic FM on my snazzy new DAB digital.